EDITORIAL
I'm getting confused!...
Thanks to the power of deepfake technology there is a new collaboration between Stallone and Schwarzenegger. YouTube channel Ctrl Shift Face created an updated version of The Terminator, hilariously entitled ROOMBO, with Stallone replacing Schwarzenegger as the movie’s famous cyborg assassin from the future. There’s also a funny appearance from Kanye West as the garbage man who witnesses Stallone’s arrival from the future in the movie’s opening. The three punks a naked T-800 encounters in the next scene is now played by the trio of Schwarzenegger, Jim Carrey and Brad Pitt, with Pitt getting his heart literally torn out by Stallone. The deepfake then tackles the scene where the Terminator kills Sarah Connor’s roommate and her boyfriend, with Shelley Duvall as the roommate and Mark Zuckerberg as the boyfriend. The action then switches to the Tech Noir club where viewers are treated to brief cameos by the likes Bill Hader, Donald Trump, Paris Hilton, George Clooney, Matthew McConaughey and Steve Carell. And for the perfect punchline, the deepfake casts Willem Dafoe in place of Linda Hamilton as Sarah Connor...
Have a pleasant Friday night at the movies,
Jean Constant

Bigger, better, fewer. That is the refrain inside Netflix that feature film executives, led by division chief Scott Stuber, are grappling to operate under as the digital streaming giant changes course and confronts new realities, such as lagging subscriber growth (it lost 200,000 subs in its latest quarter) and rising competition (Disney’s bundle of Disney+, Hulu and ESPN+ now has 205 million subs combined, just behind Netflix’s 221 million global subs). Expect to a see a more subtle change — instead of making two movies for $10 million, as an example, the company will make one for $20 million. “The goal will be to make the best version of something instead of cheapening out for the sake of quantity,” says one insider. And the streamer remains in the acquisitions game, as evidenced by the recent $50 million-plus deal for the Emily Blunt thriller Pain Hustlers. 