EDITORIAL
The mathematics of art...
Emily Blunt doesn’t want any mathematical equation to dictate what films get made. “Some new things frustrate me: algorithms, for example,” Blunt said. “I hate that fucking word, excuse the expletive! How can it be associated with art and content? How can we let it determine what will be successful and what will not?” Blunt pointed to Best Picture winner “Oppenheimer” as a film that on paper wouldn’t seem like a box office blockbuster. “Let me explain with an example,” she said. “I was in a three-hour film about a physicist, which had the that impact it had – the algorithms probably wouldn’t have grasped it. My hope is that ‘Oppenheimer’ and similar projects are not considered anomalies, that we stop translating creative experience into diagrams.”...
Have a pleasant Friday night at the movies,
Jean Constant
NEWRead Jean Constant informal film, stream, and TV reviews on LetterboxdThis week update: The electrical life of Louis Wain (2021), Wicked little letters (2003), The Ministry of Ungentlemanly Warfare (2024) *Wikipedia defines letterboxing as the practice of transferring film shot in a widescreen aspect ratio to standard-width video formats while preserving the original aspect ratio. Generally this is accomplished by adding mattes (or ‘black bars’) above and below the picture area. Letterboxd - the site is a global social network for grass-roots film discussion and discovery. |