EDITORIAL
Sounds good to me...
When it comes to dialogue unintelligibility, one name looms above all others: Christopher Nolan. The director of "Tenet," "Interstellar," and "The Dark Knight Rises" is one of the most successful filmmakers of his generation, and he uses his power to make sure his films push the boundaries of sound design, often resulting in scenes in which audiences literally cannot understand what his characters say. And it's not just audiences who have trouble with some Nolan films: the director has even revealed that other filmmakers have reached out to him to complain about this issue in his movies. Donald Sylvester, who took home an Oscar for his work on "Ford v Ferrari" and is currently serving as the supervising sound editor of "Indiana Jones 5," says Nolan is a singular figure in this regard. "I think Christopher Nolan wears it as a badge of honor," Sylvester declares. "I don't think he cares. I think he wants people to give him bad publicity because then he can explain his methods to everybody and we can all learn. But I don't think other people actually understand it."...
Have a pleasant Friday night at the movies,
Jean Constant
NEWRead Jean Constant informal film, stream, and TV reviews on LetterboxdThis week update: Back to Black (2024), Furiosa (2024) * Wikipedia defines letterboxing as the practice of transferring film shot in a widescreen aspect ratio to standard-width video formats while preserving the original aspect ratio. Generally this is accomplished by adding mattes (or ‘black bars’) above and below the picture area. Letterboxd - the site is a global social network for grass-roots film discussion and discovery. |


Going all-in on its exploration of the role of artificial intelligence in filmmaking, South Korea’s Bucheon International Fantastic Film Festival (BiFan) has unveiled a 15-title AI Film competition. The films will compete for jury-selected and audience awards and cash prizes of up to KRW1.5 million ($11,000). “We were able to see the new creative possibilities of AI filmmaking. We hope that creators who have difficulty accessing capital for big productions will gain creative freedom from production costs through AI,” said BiFan festival director Shin Chul. The 15 selected titles hail from France, the U.S., Japan and Singapore include four from South Korea. Hansl Von Kwon’s “One More Pumpkin” previously won the Grand Prize and Audience Award at the Dubai AI Film Festival. Others are Park Sungwon’s “Under the Sign of the Moon,” Bae Junwon’s “Snowfall,” and Cha Sehwan’s “Final Scene.” All four works showcase the image and sound perfection that modern AI technology can implement today, and stand out through brilliant imagination, fresh screenplays, and character realization,” the festival said....